Tuesday, February 17, 2026
womens' shorts (no, not panties)
getting some culture: part 5
This event for expansion of my world was also part of the Savannah Black Heritage Festival (SBHF37), just as part 2 and part 4 had been.
The Annual Future Of Jazz concert is one that I've attended for almost two decades, after my good friend Deborah Ray first turned me on to them.
(She's been living her best life in Costa Rica ever since she retired from working on the garbage trucks for the City of Savannah.)
This one, like last year's, featured the same instruments, with the saxophone man being the only repeat performer.He's the one in the middle, in case it's hard to tell in the photo.
The male trombone player and the female bass player, both on the right, were both students of Donald Anderson School of Arts.
Sadly, I don't know their names, as there was no program, nor does the website say.
The show, dedicated to the memory of Ben Tucker as always, began with two of his songs, the same as last year - very nice!
Then we had a brand-new one from Teddy Adams!
Titled "The Patron", it was in honor of Bob Faircloth, notable not only for supporting jazz in Savannah, but also the Savannah Music Festival and Savannah VOICE Festival.
Thanks, Bob, for helping to keep all that culture alive!
Altogether, there were three more tunes that Adams had written: "Hutch Is Much", for 85-year-old Laurence Hutchins, his friend since the first grade; "A Piece For Reese", for another friend; and "Calypso Kelly", a really swinging number that led with a drum solo.That Caribbean-flavored beat really rocked the Savannah JEA!
The song that stood out above it all, though, was "Georgia On My Mind", performed by the talented young woman who was one of the vocalists last year, and the only one this time around.For SBHF37, she was the only vocalist!!!
Such great phrasing, such fine breath control, and a voice smooth as silk - oh, I wish I knew what her name was!
Perhaps Tina Tyus-Shaw will have her on the 5:45 "Wind Down" segment of WSAV's news broadcast.
I'm so glad I was there for the entire show this year!
All told, it went into overtime from its scheduled 90-minutes.
The last song was another Tucker tune, "Comin' Home Baby", which has been recorded by Michael Buble, along with Boyz II Men.
I wonder if Ben's widow, Gloria, still gets royalties for that tune?
I'm sure she does!
What a nice bit of music culture for me!
(smile!)
Monday, February 16, 2026
japan takes the gold! georgia takes the silver!
The couple came off the ice with the highest score yet: 158.13 - wow!
Sunday, February 15, 2026
pairs' shorts: no, not ice dancing
getting some culture: part 4
Especially on a rainy Sunday afternoon - lol!
"Say Her Name: Susie King Taylor" was a Savannah Black Heritage Festival event, held over at Savannah State University, in a place I knew well: the Kennedy Building, home of so many plays and musicals from Collective FACE in its prime.
The drawing card for me was the screening of the documentary, "The Making Of Taylor Square", about the transition of Calhoun Square into this new one that served two goals: the first named for a woman and the first named for an African American.
The woman was Susie King Taylor, who had been 13 years old when she found herself serving as a nurse for the Union Army in South Carolina.
That was in 1861, when the American Civil War caused her mom to send her and her siblings to that state to stay safe.
Taylor could read, write, and count, so she made sure to teach that to others over there, both children and adults.
She served in the position of nurse and teacher for three years, but never received any financial benefits from those jobs.
Five years ago, a grass-roots movement began to gain recognition for her.
The woman who started that movement, Patt Gunn, was a tour guide who always shared Taylor's story on her tours.That's her, second from the left, beside the college student asking the questions during the post-film Q&A.
The documentary's director, Caroline Josey Karoki, is on the far right.
I didn't catch the names of the other two women, but they were part of the group that was instrumental in getting the square renamed.
Some folks may think all the squares downtown have the same names given to them by James Oglethorpe when he laid them out, but that's incorrect.
For instance, Telfair Square, home of two museums I love, was originally called St. James Square.
Upper New Square was renamed Oglethorpe Square in honor of our city's founder.
Then there are squares lost to road construction - like Liberty Square and Elbert Square - and new squares added in the 21st century, like Yamacraw Square and Washington Square, where a park and a garden once stood..
In other words, Taylor Square follows a long history of changes with our walkable green spaces downtown, squares that have long welcomed peoples from other lands to our fair seaport.
I know the folks involved with this five-year project hope others will follow the blueprint for change which is modeled quite well in the documentary.
Who knows what structure, or road, or park, may be renamed in the future?
















































